Public Writing

Jennie Lightweis-Goff’s teaching and scholarship challenge the centrality of nation and periodization to literary studies, exploring minor spaces – smaller than nations or regions – as literary archives with vast temporal boundaries.

Major Articles

in the shadow of the sears factory, or, the immigrant’s closet

just femme & dandy

When I enter a new city, I begin a ritual. I try to find a garment made there. The ritual is political, oriented toward history and survival. The wool suits and fur coats of a not-so-distant past in New Orleans and Baltimore offer vernacular affirmation to the evidence of a changing climate. The “Made in Memphis” and “Made in New York” tags offer ephemeral monuments to the unheralded laborer, migrant and immigrant alike.

Spring 2023

Vulnerability in America

Walking among us are people who have never been hurt; they are confident that they remain unhurt because they have taken care. (“Be careful!” they say, when we leave their company.) Meanwhile, many of us live hurt, live unprepared for future hurt. I am confident that I am living because no one wants me dead. And I call this optimism. 

Winter 2024

Concept Creep: A Progressive’s Lament

Liberties

Perhaps it was not the “paranoid style” of the political right, but the “hermeneutic of suspicion” practiced by the academic left, that seized American tongues. The desire to flush out the enemy of concealed meaning generates martial language in scholarly writing.

November 2024

Democracy is for Losers

Nine months before the election, my brother died what political scientists call “a death of despair” on the floor of a restaurant in Upstate South Carolina. On the six-month anniversary, Hurricane Helene devastated the region, and I found myself praying — for a reason I cannot articulate — that the restaurant, at least, would be spared the force of the wind and water. 

September 29, 2024

The Velvet Ditch

The Point

Academics are people who give land acknowledgments before driving home to gated communities, so they are evidently immune to embarrassment. 

May 6, 2021

Guilty Pleasures: Little Debbie Zebra Cakes

Avidly

On big days, I reward myself. No more liquor; I’m not allergic to spirits, but an addict knows “how narrow is the margin between being lost and being saved.” Milestones include the final day of the semester. Birthdays. Landing in Beijing. The second dose of Pfizer. Enchanting conversations with beautiful men. Near my campus or on my afternoon walk, I am sure to find my guilty pleasure at CVS or a gas station. It is a stark white cake with black stripes I’ll elevate by calling “ganache.” It is neither chocolate nor vanilla. It is a Zebra Cake and, for all I know from reading the ingredients, made from zebra meat.

Podcast Interviews

2017

The South and the City

About South with Gina Caison

Arpents, acres, memory culture, and floodlines

Feb. 2, 2023

James Dickey’s Deliverance

The Projectionist's Lending Library

Nature, wounds, mountains, rivers, and dams