{"id":285,"date":"2025-08-30T23:12:32","date_gmt":"2025-08-30T23:12:32","guid":{"rendered":"http:\/\/localhost\/wp_JLG\/?page_id=285"},"modified":"2026-04-01T18:13:12","modified_gmt":"2026-04-01T18:13:12","slug":"scholarly","status":"publish","type":"page","link":"https:\/\/jennielightweisgoff.com\/index.php\/scholarly\/","title":{"rendered":"Scholarly"},"content":{"rendered":"\n<div class=\"wp-block-group heroBlock is-layout-constrained wp-container-core-group-is-layout-075892e9 wp-block-group-is-layout-constrained\" style=\"margin-top:0;margin-bottom:0\">\n<div class=\"wp-block-group hero-container-centered is-layout-constrained wp-block-group-is-layout-constrained\" style=\"margin-top:0rem;margin-bottom:0rem;padding-top:0rem;padding-bottom:0rem\">\n<div class=\"wp-block-group heroText is-layout-constrained wp-block-group-is-layout-constrained\">\n<h1 class=\"wp-block-heading\">Scholarly Work<\/h1>\n\n\n\n<p>Since literary studies became a formal discipline and profession, it has organized its essential identity around period \u2013 the early modern period, the nineteenth century, or the ancient world. My scholarship is interested, instead, in micro-spaces of literary production: the whaling ship, the road trip, the hotel room, and the swamp.<\/p>\n<\/div>\n\n\n\n<figure class=\"wp-block-image size-full heroImage\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"1139\" src=\"https:\/\/jennielightweisgoff.com\/wp-content\/uploads\/2025\/03\/FramePhoto_pubs-1.png\" alt=\"\" class=\"wp-image-174\" style=\"object-fit:cover\" srcset=\"https:\/\/jennielightweisgoff.com\/wp-content\/uploads\/2025\/03\/FramePhoto_pubs-1.png 800w, https:\/\/jennielightweisgoff.com\/wp-content\/uploads\/2025\/03\/FramePhoto_pubs-1-211x300.png 211w, https:\/\/jennielightweisgoff.com\/wp-content\/uploads\/2025\/03\/FramePhoto_pubs-1-719x1024.png 719w, https:\/\/jennielightweisgoff.com\/wp-content\/uploads\/2025\/03\/FramePhoto_pubs-1-768x1093.png 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n<\/div>\n<\/div>\n\n\n<div class=\"custom-posts-list publications-list grouped-by-type\"><div class=\"type-group-row\"><div class=\"publication-type-group type-books\"><h3 class=\"publication-type-heading\">Books<\/h3><\/div><div class=\"publication-type-items\"><div class=\"publication-item type-books\"><div class=\"publication-image\"><a href=\"https:\/\/www.pennpress.org\/9781512826685\/captive-city\/\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/jennielightweisgoff.com\/wp-content\/uploads\/2025\/03\/9781512826685-scaled.jpg\" alt=\"\"><\/a><\/div><div class=\"publication-content\"><div class=\"publication-date\">2024<\/div><h4 class=\"publication-title\"><a href=\"https:\/\/www.pennpress.org\/9781512826685\/captive-city\/\" target=\"_blank\">Captive City: Meditations on Slavery in the Urban South<\/a><\/h4><div class=\"publication-excerpt\"><!-- wp:paragraph -->\n<p><em>Captive City<\/em>&nbsp;explores the paths of slavery in coastal cities, arguing that captivity haunts the \u201chospitality\u201d cultures of Charleston, New Orleans, Savannah, and Baltimore. It is not a history of urban slavery, but a literary reflection that argues for coastal cities as a distinct region that scrambles time, resisting the \u201cpost\u201d in postindustrial and the \u201cneo\u201d in neoliberalism. Jennie Lightweis-Goff offers a cultural exploration bound by American literature, especially life-writing by the enslaved, as well as compelling reassessments of works by canonical writers such as Frederick Douglass, Harriet Jacobs, and Hector St. John de Crevecoeur.<\/p>\n<!-- \/wp:paragraph --><\/div><div class=\"publication-link\"><a href=\"https:\/\/www.pennpress.org\/9781512826685\/captive-city\/\" target=\"_blank\" class=\"read-more\">View Publication<\/a><\/div><\/div><\/div><div class=\"publication-item type-books\"><div class=\"publication-image\"><a href=\"https:\/\/sunypress.edu\/Books\/B\/Blood-at-the-Root\" target=\"_blank\"><img decoding=\"async\" src=\"https:\/\/jennielightweisgoff.com\/wp-content\/uploads\/2025\/04\/bloodAtTheRoot.jpg\" alt=\"\"><\/a><\/div><div class=\"publication-content\"><div class=\"publication-date\">2011<\/div><h4 class=\"publication-title\"><a href=\"https:\/\/sunypress.edu\/Books\/B\/Blood-at-the-Root\" target=\"_blank\">Blood at the Root: Lynching as American Cultural Nucleus<\/a><\/h4><div class=\"publication-excerpt\"><!-- wp:paragraph -->\n<p>Examines the relationship of lynching to black and white citizenship in the 19th and 20th century U.S. through a focus on historical, visual, cultural, and literary texts.<\/p>\n<!-- \/wp:paragraph --><\/div><div class=\"publication-link\"><a href=\"https:\/\/sunypress.edu\/Books\/B\/Blood-at-the-Root\" target=\"_blank\" class=\"read-more\">View Publication<\/a><\/div><\/div><\/div><\/div><\/div><\/div>\n\n\n\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-b2d40719 wp-block-group-is-layout-constrained\" style=\"padding-top:var(--wp--preset--spacing--60);padding-right:5%;padding-bottom:var(--wp--preset--spacing--60);padding-left:5%\">\n<div class=\"wp-block-group is-layout-constrained wp-container-core-group-is-layout-7db9d80f wp-block-group-is-layout-constrained\" style=\"padding-right:0;padding-left:0\">\n<h2 class=\"wp-block-heading\">Teaching<\/h2>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-28f84493 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>I have taught four academic disciplines in three countries. In China, I taught expatriate writers like Henry James and Edith Wharton, to help native students understand the experience of dislocation and moving boundaries. <\/p>\n\n\n\n<p>Within Medical and Health Humanities programs, I supervise clinical shadowing, introducing pre-med students to unusual genres \u2013 including the sonnet and the sestina\u2014to help find language for alienating encounters with bodies in pain. <\/p>\n\n\n\n<p>As a writing teacher, I offer students lateral encounters with the tasks of the curator, editor, and researcher that we move through before we ever put words on a page.<\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image alignright size-full is-resized\" style=\"margin-right:0;margin-bottom:0;margin-left:var(--wp--preset--spacing--60)\"><img loading=\"lazy\" decoding=\"async\" width=\"684\" height=\"450\" src=\"https:\/\/jennielightweisgoff.com\/wp-content\/uploads\/2025\/09\/beijing-classroom.jpg\" alt=\"\" class=\"wp-image-332\" style=\"width:565px;height:auto\" srcset=\"https:\/\/jennielightweisgoff.com\/wp-content\/uploads\/2025\/09\/beijing-classroom.jpg 684w, https:\/\/jennielightweisgoff.com\/wp-content\/uploads\/2025\/09\/beijing-classroom-300x197.jpg 300w\" sizes=\"auto, (max-width: 684px) 100vw, 684px\" \/><figcaption class=\"wp-element-caption\"><br>Classroom in Beijing, China<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Scholarly Work Since literary studies became a formal discipline and profession, it has organized its essential identity around period \u2013 the early modern period, the nineteenth century, or the ancient world. My scholarship is interested, instead, in micro-spaces of literary production: the whaling ship, the road trip, the hotel room, and the swamp. Teaching I [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-285","page","type-page","status-publish","hentry"],"blocksy_meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/jennielightweisgoff.com\/index.php\/wp-json\/wp\/v2\/pages\/285","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/jennielightweisgoff.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/jennielightweisgoff.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/jennielightweisgoff.com\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/jennielightweisgoff.com\/index.php\/wp-json\/wp\/v2\/comments?post=285"}],"version-history":[{"count":39,"href":"https:\/\/jennielightweisgoff.com\/index.php\/wp-json\/wp\/v2\/pages\/285\/revisions"}],"predecessor-version":[{"id":410,"href":"https:\/\/jennielightweisgoff.com\/index.php\/wp-json\/wp\/v2\/pages\/285\/revisions\/410"}],"wp:attachment":[{"href":"https:\/\/jennielightweisgoff.com\/index.php\/wp-json\/wp\/v2\/media?parent=285"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}